World February 14, 2026

’Yellow Letters’ at Berlin Film Festival: Director Warns Democratic Erosion Can Happen at Home

Turkish-German filmmaker frames a domestic-set marriage drama as a cautionary story about political repression and its reach

By Hana Yamamoto
’Yellow Letters’ at Berlin Film Festival: Director Warns Democratic Erosion Can Happen at Home

Ilker Catak’s film 'Yellow Letters,' competing at the Berlin Film Festival, examines how political pressure can dismantle private life and livelihoods. Shot in German cities but intended as an allegory for Turkey, the drama follows a married couple forced from their comfortable life after the husband is targeted by the state for online criticism. Catak says the film should prompt Western viewers to reassess assumptions about immunity to democratic backsliding.

Key Points

  • Ilker Catak's 'Yellow Letters' explores how intense political pressure can shatter a marriage and erase a previously comfortable life.
  • The film stars Ozgu Namal and Tansu Bicer as a married actor and playwright targeted after the husband posts critical content online; it is competing against 21 other films for the festival's top prize.
  • Catak purposely filmed in Berlin and Hamburg and asks audiences to imagine those cities as Ankara and Istanbul to prevent the story from being dismissed as solely 'a Turkish problem.'

Ilker Catak, the Turkish-German director behind the Berlin Film Festival entry 'Yellow Letters,' says his new marriage drama is intended as a warning for audiences who assume democratic backsliding is a remote threat. The film, which is one of 22 features vying for the festival's top prize, turns the spotlight on how extraordinary political pressure can upend an intimate relationship and dismantle a previously secure life.

'Yellow Letters' stars Ozgu Namal and Tansu Bicer as a married actor and playwright. In the story, the couple lose their jobs and their comfortable lifestyle after the husband faces state scrutiny and reprisals for posting critical material online, Catak told Reuters.

Catak framed the film as a reminder that repression is not confined to other countries. 'We always thought in the West that we’re immune to that kind of political repression. And now we’re realizing we’re not,' he said, adding a direct caution about the fragility of civic rights: 'You can lose your job too, if you are stating the wrong political statements.'


Those narrative concerns mirror developments that occurred in Turkey last spring, when the arrest of Istanbul mayor Ekrem Imamoglu - identified in the film's coverage as President Tayyip Erdogan’s biggest political rival - sparked the largest anti-government demonstrations seen in a decade and precipitated widespread detentions. The clampdown on a principal opposition party has been cited in the film's discussion as having weakened the democratic credentials of Turkey, an EU candidate and NATO member.

Catak said he wants viewers to reflect on their own national contexts. 'I would wish that people watch my film and they think about their own state, their own country,' he said.

To underscore the parallels between the fictional narrative and real-world events, the director deliberately filmed in German cities. Audiences are asked to imagine that scenes shot in Berlin and Hamburg stand in for Ankara and Istanbul. 'If we had shot it in Turkey only, it would have been easy to say, ‘OK, that’s a Turkish problem,’' Catak explained.


'Yellow Letters' is Catak’s second film selected for Berlin after his 2023 entry, 'The Teachers’ Lounge,' which was chosen as Germany’s submission for the Academy Award for best international feature film. The Berlin Film Festival runs from February 12-22, with the Golden Bear awarded at the closing ceremony on February 21.

The film situates personal loss within a broader political frame and invites festival audiences to consider how quickly civic protections and livelihoods can be affected by state action. By relocating the setting to familiar Western cities, Catak intends to challenge assumptions that political repression is always geographically distant.

Risks

  • Democratic backsliding and political repression - the film highlights the risk that freedoms and job security can be undermined by state action; sectors affected include media, arts and civil society.
  • Public unrest and mass detentions - the arrest of a major opposition figure in Turkey led to large anti-government protests and widespread detentions, underscoring risks to political stability and civil liberties.
  • Erosion of international democratic credibility - the crackdown on opposition parties has weakened perceptions of Turkey's democratic credentials, which may affect diplomatic and political relations.

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